Two films released by the Criterion Collection this week focus on men at war. We’ll discuss Terrence Malick’s ‘The Thin Red Line’ on the next episode of The Film Talk, and below; later in the week I’ll post a piece on ‘Merry Christmas, Mr Lawrence’. These are two of the most compelling films released on DVD this year.
When I first saw Terrence Malick’s ‘The Thin Red Line’, it was the turn of the century, Bill Clinton was still in office, the Twin Towers were intact, and the film seemed to be about the past. The distant past, to be sure: a film that begins with a reptile submerging and ends with a plant growing on a beach seems to exist a long time before we did. The nearer past, ostensibly: it takes place in 1942 during the early Guadalcanal Campaign (although you’ll look in vain for the caption that appeared on the print I saw over a decade ago to indicate it; Malick, it seems, has had that removed from the new Criterion Collection Blu-ray and DVD release: he wants the movie to exist outside time). This is only appropriate, as it aims to be a poem about the primitive roots of violence, the lack of maturity among men who see the world only as a fight, the power of love to sustain even when it is broken, the tragedy of human beings caught in a web that they think dictates that only violence can be the path to power in this life.


